Keynote Lecture for the World Sleep Congress in Rome, Italy March 2022, examining the use of sonification to communicate and reveal the inner experience of sleep.
Author: miltonline
A shamefully/lessly nerdy exploration of the guitar fretboard, its nature, language and futures. Adapted from my keynote lecture at the 2022 Guitar Foundation of America conference.
It’s privilege to present the Keynote for the Guitar Foundation of America convention this year.
The event runs June 26, 2022,5 PM – 9:30 PM UTC+01 on Zoom (register to join)You are warmly invited to join us for a series of discussions with scholars from Brazil, the United States, Switzerland, and England. Attendees will have the opportunity to speak informally with the presenters or simply listen. Registration is required. Abstract below:
Diamonds, Abaci, and Hexagrams: Exploring the Pitch Surface of the Guitar Fretboard
In this presentation, I will analyze the idiosyncrasies, challenges, limits, and affordances of the guitar’s “pitch surface”: its fretboard and tuning. Whatever the context—staff notation, music theory, improvisation, performance, and other arenas of guitar activity—the layout of the fretboard exerts a profound influence on how guitarists learn, play, and compose. Inspired by De Souza, Goodrick, and Martino, I will also explore the benefits of creative constraints: scordatura, capo, MIDI tools, and other ways of remapping the guitar’s pitch matrix. These constraints can be used to break the guitarist’s tight auditory-motor link, revitalizing the fretboard as a primary musical space and insightful musical “abacus.”
A collaboration with Enzo de Sena (Senior Lecturer on the Tonmeister programme, University of Surrey), Deborah Dunn-Walters, Sarah Bailey and Nils Marggraf – sonifying kinship DNA and recognising familial relationships as shared motivic content. A documentary produced in collaboration with University of Surrey was aired on Italy’s Rai 3 flagship science programme Quinta Dimensione (viewership ≈886,000). Segment below.
May 24th 2022 2pm, a lecture for staff, students and public Oxford University’s wonderful new Centre for Eudaimonia and Human Flourishing. Directed by Prof Morten Kringelbach “The Centre undertakes interdisciplinary research into Human Flourishing, Eudaimonia and the Life Well-Lived with a special focus on human brain dynamics through its link with the Department of Psychiatry, University of Oxford and Center for Music in the Brain, Aarhus University, Denmark.”
The talk Hidden Music: Sonic translations of Nature will explore music as a tool for listening, and understanding patterns of the natural world, blurring the boundaries between people and the ‘outside world’, and ‘art’ and science. It will take place in the Pink Seminar Room in Linacre College and streamed online. Details here.
Martino Unstrung (2008, Sixteen Films, dir. Ian Knox) – the Pat Martino documentary I had the unique privilege of scoring – is now distributed through Journeyman Pictures and available for rent, purchase on iTunes, GooglePlay, Vimeo as well as screening requests. A rare insight into a rare artist. https://www.journeyman.tv/film/6605
http://martinounstrungfilm.com
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Colours of the Ukraine Flag making their own music.
The Sound Asleep project was presented with Professor Debra Skene in the World Sleep Congress on March 11 2022, Rome, Italy,
World Sleep 2022 is a global scientific congress bringing the best of sleep medicine and research to Rome, Italy, March 11–16, 2022. The World Sleep congress, now in its 16th iteration, consistently gathers the best minds in sleep medicine and research for multiple days of scientific sessions and networking.
Sound Asleep has now been presented at British Sleep Society, European Sleep Research Conference and World Sleep Congress engaging with hundreds of members of the International Sleep Community.
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And is now published online in Guitar World
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Super happy to be made an Ableton Certified Trainer, and join a wonderful international community of artist-educator-technologists from 56 countries. Just 8 of us from the UK were selected since 2013, so it’s a real privilege. I am of course a technophile (=nerd), but I have a particular love for Ableton Live (and Push) which – now with Max for Live – is incredibly open, flexible, and linked to diverse forms of historical and contemporary music making in composition, performance, production, and programming. I genuinely love Live and Ableton and relate to their musical ethos deeply.
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https://aeon.co/essays/look-into-the-secret-world-of-numerology-and-puzzles-in-bach
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Hidden Music featured in the wonderful New Scientist Podcast
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Eurometal in Guitar World
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These unpack the musical mechanisms of Arvo Pärt’s music as outlined in this lecture below.
A breakdown of the musical science of the Sea Shanty in Total Guitar Issue 344
