“Music is continuous, it is only listening that is intermittent”
John Cage cited in Millar & Cage, 2010:74.
Figure 1: An illustration of the ‘Sonification continuum’, where the data and sonic realms (and their various domains) are separated by the sonification boundary. Some sonification practices and themes are indicated between domains and realms. Points of human input – the ‘composer’s hand’ – from outside the model are shown with dashed arrows.
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